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‘Mad Men’ review: ‘A Night to Remember’

‘Mad Men’ review: ‘A Night to Remember’

Well early in the morning, about the break of day, I ask the Lord, "Help me find the way!" Help me find the way to the promised land This lonely body needs a helping hand I ask the Lord to help me please find the way. - "Early in ...

Mad Men review: “Maidenform”

Mad Men review: “Maidenform”

Reflections and appearances. How we see ourselves is rarely how others see us. Sometimes the differences are small but sometimes they are cutting: a despicable woman seeing herself reflected in us; undeserved worship from a child; the judgment-free gaze of a dog. These cut deep, showing ...

Mad Men review: “The New Girl”

Mad Men review: “The New Girl”

You're never going to get that corner office until you start treating Don as an equal. And no one will tell you this, but you can't be a man. Don't even try. Be a woman. It's powerful business when done correctly. - Bobbie Barrett. The boys ...

Mad Men review: “Three Sundays”

Mad Men review: “Three Sundays”

For those viewers completely turned against Don Draper after last week’s events, I doubt three weekends in church and some time in the confessional are enough. Particularly as it wasn’t Don asking forgiveness.

The confession from Peggy’s sister was more about indicting Peggy than seeking absolution, more about a jealous older sister complaining about her baby sister is treated by everyone else. Peggy lives with remarkably few repercussions from her actions, almost unheard of today, let alone in a conservative Catholic household of 1962.

Mad Men review: “The Benefactor”

Mad Men review: “The Benefactor”

Matt Weiner is a stickler for historical verisimilitude. Whether it’s the shade of a woman’s hair, the length of her skirt, or the night CBS aired an episode of The Defenders. “The Benefactor” aired in the spring of 1962, and its three regular sponsors pulled their ads for the night. The episode was controversial at the time as it presented an unequivocal argument for the legalization of abortion, and it set the show on a course to presenting more issues of import.

Mad Men review: “Flight 1″

Mad Men review: “Flight 1″

On February 20, 1962 at 14:47 UTC, the Mercury spaceship Friendship 7 containing Col. John Glenn set off from Cape Canaveral. This was the first American orbital flight, coming after several delays while the Atlas rockets were tested and ready for safe use. The five-hour mission was a complete success and the newly minted hero splashed down at 19:43 UTC.

Mad Men review: “For Those Who Think Young”

Mad Men review: “For Those Who Think Young”

Fourteen months, thousands of cigarettes, and one beard later, we return to the offices of Sterling-Cooper and its denizens. In the first season of Mad Men, creator Matthew Weiner braced his agency against the rising tide of youth culture. But even against the backdrop of JFK’s generational campaign, 1960 was still dominated by the ways and mores of an earlier time. The few cracks that did show were personal rather than cultural.

Don’t miss the Mad Men marathon this Sunday!

Don’t miss the Mad Men marathon this Sunday!

Here’s some good news for those trying to get into Mad Men before the season premiere on July 27th. AMC is running a marathon of all 13 episodes from season 1 this Sunday, July 20th starting at NOON EST, lasting until 1 AM.

We’ve got the pilot episode for “Mad Men”

We’ve got the pilot episode for “Mad Men”

The hit series for AMC called Mad Men is returning for its second season on July 27th. But if you are like me, and missed the first season, you can at least find out if you like it for free.

AMC has released the pilot episode for Mad Men online for the very first time, and it’s broken up into the three segments you see below.

Jim Caviezel and Ian McKellen in “The Prisoner” for AMC

Jim Caviezel and Ian McKellen in “The Prisoner” for AMC

AMC announced yesterday that Jim Caviezel (Frequency, The Passion of the Christ) and Ian McKellen (”The Lord of the Rings” trilogy, the “X-Men” films) have both signed on to star in the network’s “re-imagining” (my word, not theirs) of the highly influential ’60s cult classic, “The Prisoner.”

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