Director: Andrew Adamson
Writer: Andrew Adamson and Christopher Markus
Genre: Adventure/Family/Fantasy

Story

The four children are back in Narnia, but this time the Narnians are near extinction and humans have taken over the world. Prince Caspian is the rightful heir to the throne, but his uncle sees an opportunity to take the thrown by killing him. Prince Caspian is forced to flee and comes into the care of some Narnians. When he blows a horn it calls the four children back from real life to the world of Narnia where they are restored as the kings and queens of the Narnians. Now they have to help Prince Caspian reclaim his thrown and save the Narnians.

Everything Else

The directing of Prince Caspian was certainly sound, but there is not a lot to brag about for Andrew Adamson who aside from the first two Narnia movies has had his hands in Shrek 1, 2, and 3. The action was good and the special effects were better than they were in The Lion, the Witch, and the Wardrobe. Adamson was also still able to make any blood or disturbing images almost completely non-existent. This is a children’s movie so he wanted it to be viewable by children (an interesting concept).

The acting was much like the first; the children still didn’t have great performances, but they fit into the roles just fine. It was good they were able to secure the same actors for Prince Caspian so the continuity was better. Ben Barnes as Prince Caspian held his own, but won’t win anything for his performance. Two notable performances were that of Peter Dinklage as Trumpkin and Warwick Davis as Nikabrik. For Davis Prince Caspian seemed a familiar role after being in a few movies you may have seen: Star Wars, Willow, Leprechaun, Ray, and others. Davis was even in the TV version of Prince Caspian in 1989. Dinklage is less often in a fantasy movie, but fit right in here.

Overall the writing, directing, and acting could have been better, but there was not a lot that can be called bad. Rather, it can all be called decent. Unfortunately, Adamson is making a movie out of a masterpiece, and it is easy to mess it up. Adamson could certainly learn a lot from Peter Jackson.

The Real Deal

Although it is hard to have any major complaints about Prince Caspian, it was much like The Lion, the Witch, and the Wardrobe was for me; boring. Prince Caspian lacks a certain amount of emotion which is essential to most genres of movies, but especially an epic fantasy film such as this. You could argue it was so kids could enjoy it and it should have been toned down, but this seems like a cop-out. Either way you want to see it, there is no doubt the movie is lacking in the excitement department. It is difficult for the viewer to get attached to any of the characters. In fact, most of the characters seemed completely apathetic to the safety of the other characters they were supposed to love. If no one cares if a character dies, then why should I? The movie still provided enough action to keep me entertained and the movie was clean enough for any age to view it. If you liked the first one a lot then you are sure to like this one.

Dave’s score: 6/10

Written by Dave of Dave’s Movie Reviews

Apparently there is a scene of the two kissing, which is abbhorent to fans of the books because that never happened anywhere in C.S. Lewis’ original stories.

The MTV Movie Blog asked fans for questions they’d like answered from the cast and crew and this one big one cropped up enough that they actually took it to the Prince Caspian people.

Why are they doing it? Is it important enough to have to ruin the canon?

There are SPOILERS below this sentence, mainly having to do with the future of Susan. If you have read the books, you probably know it, and if you haven’t, you may not want to.

Part of the big controversy, which I entirely forgot about, is that Susan never returns to Narnia after Prince Caspian. In the final book, The Last Battle, she is said to care about nothing but nylons, lipstick and being grown-up.

So tossing in this romance…how does it affect things? Are they going to change the future of Susan?

Personally, having gone through the same thing with Lord of the Rings, sometimes these things just have to be done to improve the “movie” quality of a story transferred to the big screen.

The video below contains answers to the question from Ben Barnes, Anna Popplewell and Andrew Adamson. (if the video doesn’t load, click here)